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Title details for Act of God by Jill Ciment - Available

Act of God

A Novel

ebook
1 of 1 copy available
1 of 1 copy available
Jill Ciment’s books have been hailed as “stunning,” “powerful,” and “provocative.” Alice Sebold has called her works “beautifully written.” Now the author of Heroic Measures (“Smart and funny and completely surprising . . . I loved every page.” —Ann Patchett; “Brave, generous, nearly perfect.” —Los Angeles Times) has given us a contemporary noir novel that starts out a comedy of errors and turns darker at every hairpin turn.
 
It’s the summer of 2015, Brooklyn. The city is sweltering from another record-breaking heat wave, this one accompanied by biblical rains. Edith, a recently retired legal librarian, and her identical twin sister, Kat, a feckless romantic who’s mistaken her own eccentricity for originality, discover something ominous in their hall closet: it seems to be phosphorescent, it’s a mushroom . . . and it’s sprouting from their wall.
 
Upstairs, their landlady, Vida Cebu, a Shakespearian actress far more famous for her TV commercials for Ziberax (the first female sexual enhancement pill) than for her stage work, discovers that a petite Russian girl, a runaway au pair, has been secretly living in her guest room closet. When the police arrest the intruder, they find a second mushroom, also glowing, under the intruder’s bedding. Soon the HAZMAT squad arrives, and the four women are forced to evacuate the contaminated row house with only the clothes on their backs.
 
As the mold infestation spreads from row house to high-rise, and frightened, bewildered New Yorkers wait out this plague (is it an act of God?) on their city and property, the four women become caught up in a centrifugal nightmare.
 
Part horror story, part screwball comedy, Jill Ciment’s brilliant suspense novel looks at what happens when our lives—so seemingly set and ordered yet so precariously balanced—break down in the wake of calamity. It is, as well, a novel about love (familial and profound) and how it can appear from the most unlikely circumstances.
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    • Publisher's Weekly

      January 19, 2015
      Following Heroic Measures, a chronicle of a city and its housing market in turmoil, Ciment returns with another real estate–themed drama. This latest, however, lacks her previous novel’s tautness and charm. When luminescent spores appear in a Brooklyn townhouse, its inhabitants scatter across New York City and must deal with the life-altering effects of the dangerous mold outbreak. The affected residents include the 64-year-old twin sisters, Kat and Edith: the former a free spirit, the latter a sober and recently retired legal librarian. Above their rent-controlled apartment lives Vida Sebu, owner of the spore-infested townhouse and an actress who is struggling to be taken seriously after appearing in a commercial for a female sexual-enhancement pill. Along with the mold, the brownstone has another intruder: Ashley, a Russian nanny who’s been squatting in Vida’s closet and who responds to the infestation with a Slavic stoicism: “No big deal. In Russia, mushrooms grow out people’s ears.” The insurance company classifies the infestation as an act of God, which fails to satisfy those seeking a less-divine agent behind the catastrophes that follow. Ciment writes with her usual stylistic grace, but the novel doesn’t quite achieve a balance among its vaguely apocalyptic bent, its satirical moments, and the tepid sentimentalism at its core.

    • Kirkus

      Starred review from December 1, 2014
      Humanity, warmth and wry humor light up Ciment's (Heroic Measures, 2009, etc.) noirish novel about a phosphorescent toxic mold that blooms in a Brooklyn townhouse, circa 2015, and barrels through the lives of two 60-something identical twin sisters and their neighbors, changing everything it touches. When 64-year-old twins Edith and Kat Glasser find a glowing mushroom growing in a closet in their late mother's rent-controlled apartment, a home they now share after having spent years engaged in very different pursuits, they are united in their alarm. Will the iridescent fungus-which, in mere moments, grows from "the size of a newborn's thumb" to that of a giant's digit-infect their beloved mother's archive of letters from her hugely popular syndicated advice column, "Consultations with Dr. Mimi"? After all, Edith, a retired legal librarian, stolid and stable, has arranged to have the letters sent to the Smithsonian the following month, and feckless, free-spirited Kat is compiling her favorites in hopes of getting a book deal "to give the enterprise a little pizzazz." But their calls to their reluctant landlord, famous (or is it infamous?) actress Vida Cebu, go unanswered, and the mysterious mold spreads-and spreads-in time helped along, as well, by the homeless Russian teen who had been living in Vida's closet when it was discovered there. The virulent fungus, not to mention the hazmat team's response, lays waste to buildings, careers, reputations and even lives. But from the wreckage of the past sprouts new hopes and second chances-an opportunity for personal growth, a deeper sense of identity and community, generosity and belonging...and love. This absorbing novel about a luminescent fungus affixes itself to your psyche like a spore and quickly spreads to your heart, setting everything in its wake aglow.

      COPYRIGHT(2014) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Library Journal

      November 15, 2014

      In this latest from the author of Heroic Measures (2010), a toxic mold upends the lives of the disparate residents of a New York townhouse. Twin sisters Kat and Edith are preparing an archive of their mother's advice column when they discover a glowing mushroom in their closet. Their landlady, Vida, an actress whose pharmaceutical commercial is hurting her stage career, fails to take action until the building is evacuated and condemned, which means Ashley, a young Russian immigrant who was squatting in Vida's apartment, must find alternate living arrangements. Unwittingly, the women continue to spread the contamination throughout the city. An interesting mix of fable and contemporary realism, this novel shows how quickly one can lose everything--home, family, possessions--and be cast adrift. At the same time, the characters become dependent on one another in unexpected and unusual ways and can survive only through these connections. VERDICT This quick read is generally humorous and lighthearted in tone, despite the trauma it conveys. Though guilty of some nasty and unethical behavior, all the characters are able to achieve redemption by the end, which Ciment manages to achieve with minimal sappiness.--Christine DeZelar-Tiedman, Univ. of Minnesota Libs., Minneapolis

      Copyright 2014 Library Journal, LLC Used with permission.

    • Booklist

      February 1, 2015
      Ciment impishly satirized Manhattan life in Heroic Measures (2009). In her second New York fable of iridescent wit and bemused tenderness, twin sisters are, once again, living together in the rent-controlled Brooklyn apartment of their childhood, much to the annoyance of the brownstone's new owner, Vida, a Shakespearean actress now notorious for appearing in a commercial for the first female sexual enhancement pill. The twins' mother was an adored advice columnist, and Edith, a retired legal librarian, is preparing to donate their mother's papers to the Smithsonian, while Kat, a former Deadhead, wants to publish a collection of the letters. But the sisters discover a phosphorescent mushroom rapidly growing in one closet, and Vida finds a fugitive Russian au pair hiding in another, and both are big trouble. The eerily glowing supermold infests the entire neighborhood, and the four women, each irresistible in her own heartbreaking way, are left homeless. In a feat of literary magic, Ciment slips an abundance of suspenseful action, incisive humor, far-ranging wisdom, and complex emotion into this inventive, caring, devour-all-at-once novel of self, family, community, and doing right.(Reprinted with permission of Booklist, copyright 2015, American Library Association.)

    • BookPage
      To describe Jill Ciment’s latest novel as the story of a supermold that colonizes a Brooklyn neighborhood and threatens to infest the entire city doesn’t even come close to doing it justice—though it’s factually accurate. Dressed in the guise of a thriller, Act of God is really a keenly intelligent story about the tangled bonds of sisterly love and the power of repentance and forgiveness. Sixty-four-year-old twin sisters Edith and Kat Glasser share a rent-controlled apartment in a row house owned by Vida Cebu, an accomplished Shakespearean actress best known for her role in a commercial for a female sexual enhancement pill. When Edith, a retired law firm librarian, tries to enlist her landlord’s help in dealing with the phosphorescent mushroom-like growth that has sprouted in the apartment, her entreaties are ignored. Evacuation is followed by incineration, as the HAZMAT teams rush to contain the outbreak. As her characters consider the insurance and landlord-tenant issues resulting from a conclusion that the alien growth is an act of God (“When did State Farm become religious?” Vida asks her insurance agent), Ciment orchestrates an increasingly complicated plot with consummate skill. There’s an unemployed Russian nanny who calls herself Ashley and who helps herself to rent-free accommodations in Vida’s building and elsewhere; a rekindled love affair between Kat and Frank, the building superintendent; and the existential crisis of Gladys, the Glasser sisters’ next-door-neighbor, who must figure out where she can relocate with her 17 cats in tow. It’s New York City at its most manic. But the novel acquires real moral weight when the otherwise feckless Kat demands a penance from Vida that has nothing to do with financial compensation for the injury she’s inflicted on others by her casual indifference. Kat seeks “restorative justice”: nothing less than Vida’s acceptance of responsibility and an apology for her callousness. Watching Vida wrestle with this deceptively simple request makes us understand how hard it is to say the words, “I’m sorry.” In fewer than 200 pages, Ciment has pulled off an admirable literary feat, creating a novel that moves at the speed of light, all the while urging us to pause and look inward.   This article was originally published in the March 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

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